Fanny★
大眾文化導論 筆記
單獨放一噗好了,之前打的也集中
Fanny★
Laura Mulvey(1975) Visual pleasure and narrative cinema
1.gaze 是 gender 的 2. gaze 有權力關係 3.雙重物化 by 觀眾 男主角 EX 60 70年代電影 女主角不會看觀眾
瑪丹娜 material girl 翻轉看觀眾
Fanny★
structure feeling (Raymond Williams) 人的自由意志不重要,但卡在那個結構就要去做某些事。 心有戚戚焉如何產生的?
Structures of Feeling
大眾文化能讓青少年建立主體性。
希臘藉由男性親密性行為來傳承男子氣概,上對下,脈絡化。
Fanny★
pop music :
emotional realism
lack a certain authenticity.
本真 - 維基百科,自由的百科全書
Teenage culture is a contradictory mixture of the authentic and manufactured: it is an area of self-expression for the young and a lush grazing pasture for the commercial providers.
話說這句翻譯成中文 不知道怎麼翻才好 後半段沒有看得很懂XD
Fanny★
P105 scopophilia promotes narcissism
Fanny★
Zizek:
Fantasy is not the same as illusion;rather,fantasy organizes how we see and understand reality.
"Reality" is a fantasy construction which enables us to mask the Real of our desire.
real 無法被再現 fantasy 讓ego 更加穩固 cover up lack
Rather than fulfilling desire,fantasy is the staging of desire.
Fanny★
fantasy space functions as an empty surface , a kind of screen for the projection of desires.
Desire is never fulfilled or fully satisfied ,it is endlessly reproduced in our fantasies. Anxiety is brought on by the disappearance of desire.
Fanny★
P137
Jackie Stacey (1994) Star Gazing:Hollywood and Female Spectatorship
escapism
identification
consumerism
Fanny★
cinemas were dream palaces not only in so far as they housed the screening of Hollywood fantasies,but also because of their design and decor which provided a feminised and glamorised space suitable for the cultural consumption of Hollywood films
Fanny★
consumption is a site of negotiated meanings,of resistance and of appropriation as well as of subjection and exploitation
Fanny★
https://images.plurk.com/3VgoiN3WE2Z2zDSJWP3cp2.jpg
Fanny★
Tania Modleski 1982 Marx and Engels 1957
religious suffering is equally true of "romantic suffering":it is "at the same time an expression of real suffering and a [protest] against real suffering.
the contradictions in women's lives are more responsible for the existence of Harlequins than Harlequins are for the contradictions.
話說這句不知道怎麼翻譯解釋才好
Fanny★
Rosalind Coward(1984) Female Desire
endless cycle of pleasure and guilt
romantic fiction replays the girl's experience of the Oedipal drama
Fanny★
Radway
The romantic fantasy is ...not a fantasy about discovering a uniquely interesting life partner,but a ritual wish to be cared for ,loved,and validated in a particular way.
Fanny★
The resolution to the ideal romance provides perfect triangular satisfaction :fatherly protection,motherly care,and passionate adult love.
failed romance
1.the fear of male violence 暴力->愛
2.the fear of an awakened female sexuality and its impact on men
heroine's journey
Fanny★
The principal 'psychological benefits' of reading romance novels derive from ' the ritualistic repetition of a single,immutable cultural myth'
Fanny★
There is a fundamental asymmetry in daily reproduction ... men are socially and psychologically reproduced by wowen ,but women are reproduced (or not) largely by themselves.
Fanny★
接下來是10/17後新看的段落
Fanny★
Fanny★
empiricist realism
a text is considered realistic to the extent to which it adequately reflects that which exists outside itself
classic realism
the claim that realism is an illusion created by the extent to which a text can successfully conceal its constructedness
Fanny★
emotional realism
The level of denotation refers to the literal content of the programme,general storyline,character interactions,ect.
The level of connotation(s) refers to the associations,implications,which resonate from the storyline and character interactions,ect.
Fanny★
Ang uses the term a tragic structure of feeling to describe the way in which Dallas plays with the emotions in an endless musical chairs of happiness and misery.
Fanny★
The melodramatic imagination is the articulation of away of seeing that finds in ordinary day-to-day existence,with its pain and triumphs,its victories and defeats, a world that is as profoundly meaningful and significant as the world of classical tragedy.
Fanny★
not a compensation for the presumed drabness of daily life,nor a flight from it,but a dimension of it.
Fanny★
the ideology of mass culture
(i) those who hate the programme
(ii) ironical viewers
(iii) fans
(iv) populists
Fanny★
後段好幾個單字不熟又懶得查,有看沒有懂XD讀這種資料更體會英文能力的不足,加上我的先備知識也不紮實QQ
Fanny★
Harlequin 是一家出版商,專門出版愛情小說。Harlequin 愛情小說是一種浪漫小說,通常包含了愛情、懸疑和情色元素
Bing 聊天
Fanny★
Tania Modleski 於 1982 年提出,宗教性的痛苦同樣適用於「浪漫的痛苦」:它「既是對真實痛苦的表達,也是對真實痛苦的抗議」。女性生活中的矛盾比 Harlequins 的存在更加負責。這句話的意思是,女性生活中的矛盾是 Harlequins 存在的原因,而不是 Harlequins 造成了女性生活中的矛盾。馬克思和恩格斯於 1957 年提出。
Fanny★
Tania Modleski 是一位美國女性主義學者和文化評論家,現任南加州大學英語教授。她的著作《Loving with a Vengeance》(1982)是一部關於女性閱讀的女性主義分析,探討了三種流行的小說類型:Harlequin 愛情小說、哥特式小說和美國日間肥皂劇
Fanny★
Fanny★
「青少年文化是真實和人造的矛盾混合:它是年輕人自我表達的領域,也是商業供應商豐富的牧草地。」
Fanny★
Teenage culture is a contradictory mixture of the authentic and manufactured: it is an area of self-expression for the young and a lush grazing pasture for the commercial providers.
Fanny★
當今的青少年文化中,有許多例子可以證明這種矛盾混合。例如,音樂、時尚和社交媒體等領域,都是年輕人自我表達的重要場所,同時也是商業供應商獲取利潤的重要途徑。在這些領域中,許多產品和服務都是為了迎合年輕人的口味和需求而設計的,從而吸引他們的注意力並賺取利潤 。
Fanny★
not a compensation for the presumed drabness of daily life,nor a flight from it,but a dimension of it.
「不是對日常生活的平淡乏味的補償,也不是逃離現實,而是生活的一個維度。」

Can you give me an example of how art is a dimension of daily life?
Fanny★
Art is a dimension of daily life because it can transform our lives by connecting us with our inner selves and our outer realities and experiences. When we connect with art, we are ultimately connecting with ourselves.
Fanny★
Art enables us to look within and to listen to ourselves, realize who we are, and what we care about. It connects us to our thoughts, feelings, and perceptions
Fanny★
Fanny★
Art can also play a critical role in our daily lives and in business strategy. It builds connection with your brand, your employees, and the communities you serve. Art can bring your brand to life
Fanny★
Karl Marx wrote that “religious distress is at the same time the expression of real distress and the protest against real distress. Religion is the sigh of the oppressed creature, the heart of a heartless world, just as it is the spirit of a spiritless situation”
Fanny★
Marx believed that religion was a tool used by the ruling class to control the working class. He saw religion as an illusion that distracted people from their real problems and kept them from rebelling against their oppressors
Fanny★
卡爾·馬克思曾說過:“宗教的苦難既是真實苦難的表現,也是對真實苦難的抗議。宗教是受壓迫者的呻吟,是無情世界的心臟,也是無靈魂處境的精神”。

馬克思認為,宗教是統治階級用來控制工人階級的工具。他認為宗教是一種幻覺,分散了人們對真正問題的注意力,阻止了他們反抗壓迫者。
載入新的回覆