「Cancer Towers on Holy Road Hi-Way」優美的鍵盤堆疊混亂失序的取樣，有什麼正在遠去。「Movement 1.2: Static」和「World Police and Friendly Fire」寧靜尖銳的聲響像是終於撕開平靜的表象，發現沒有人願意動彈，他們都知道有什麼錯了，卻都視若無睹，只顧著懷念過往。最後是充滿甜蜜漣漪的「[Glockenspiel Duet Recorded on a Campsite In Rhinebeck, N.Y.]」和「She Dreamt She Was a Bulldozer, She Dreamt She Was Alone in an Empty Field」，敲碎糖霜幻景，讓之後洞穴回音般的聲響更添憂傷。
"All music is political, right? You either make music that pleases the king and his court, or you make music for the serfs outside the walls. It's what music (and culture) is for, right? To distract or confront, or both at the same time?"
適合睡前聽的歌或各種意義道晚安的歌，一天選一首，可能會多推薦同一組創作者或同一部作品OST的其他首歌。
世界在毀壞，沒有人能拾回碎片。
世界在毀壞，沒有人能拾回碎片。
我覺得每張專輯都是完整的結構，就不再貼其他了。
Godspeed me.
呼應影壇時事。取悅國王或農奴，你總得選一邊。