Wonder Woman End Credits Music

這個OST沒收
坎伯
英雄之旅

The passage of the mythological hero may
be over-ground, incidentally; fundamentally it is inward—into
depths where obscure resistances are overcome, and long lost,
forgotten powers are revivified, to be made available for the
transfiguration of the world.

This deed accomplished, life no
longer suffers hopelessly under the terrible mutilations of ubiq­
uitous disaster, battered by time, hideous throughout space; but
with its horror visible still, its cries of anguish still tumultuous,
it becomes penetrated by an all-suffusing, all-sustaining love,
and a knowledge of its own unconquered power.

Something of the
light that blazes invisible within the abysses of its normally opaque
materiality breaks forth, with an increasing uproar.

The dreadful mutilations are then seen as shadows, only, of an immanent, imperishable eternity; time yields to glory; and the world sings with the prodigious, angelic, but perhaps finally monotonous, siren music of the spheres. Like happy families, the myths and the worlds redeemed are all alike.

神話英雄的旅程可能湊巧是在地球上；不過基本上，它是內在的過程──進入心靈深處去克服那晦暗不明的阻力，而失去已久、為人遺忘的力量也會再度恢復，作為轉化世界之用。

這項功業一旦完成，生命便不再受時間的打擊，或在空間中不忍卒睹；也不會在處處災害的可怕毀損下，絕望的受著苦；而是在有形恐怖依然存在、痛苦哭喊仍舊擾嚷的情況下，為一種無所不在、普遍支撐的愛，以及自身擁有不被征服力量的知識所貫穿。照亮無形之光的某種質素，在一般晦暗的物質混沌中，隨著漸增的喧囂聲突破而出。於是可怖的損毀被看成只是我們內在不滅永恆的陰影罷了；時間讓渡給榮耀，而世界則以非凡、天使般、但或許最終純一無雜的誘人天樂歌頌著。就像幸福的家庭一樣，神話與得救的世界都是類似的。