一位孤獨、迷路的賽博朋克惡魔仙女，長著精緻的彩虹色翅膀，半透明的皮膚下有復雜的霓虹燈電路跳動，身穿帶有金屬裝飾的破舊黑色長風衣，傲然站在昏暗、蒸汽瀰漫的小巷裡，周圍是高聳的摩天大樓，上面有滴水的生鏽管道和閃爍的全息廣告，在濕漉漉的全息人行道上投射出萬漉漉的全息人行道上。空氣中瀰漫著濃霧、煙霧和遠處機器的嗡嗡聲，只有老式路燈發出微弱的金色光芒。電影燈光讓人聯想到 35 毫米膠片，在牆壁上投射齣戲劇性的高對比度陰影，強調了場景的堅韌、反烏托邦氛圍，微妙的膠片顆粒、暈影和後期處理效果喚起了一種懷舊感和電影般的宏偉，

電影!! 電影!! 電影!!!

A lone, lost, cyberpunk devil fairy with delicate, iridescent wings and intricate, neon-lit circuits pulsing beneath her translucent skin, clad in a long, tattered, black duster coat with metallic accents, stands defiantly in a dimly lit, steam-shrouded alleyway, surrounded by towering skyscrapers with dripping,

rusty pipes and flickering holographic advertisements that cast a kaleidoscope of colors on the wet pavement. The air is thick with mist, smoke, and the distant hum of machinery, illuminated only by the faint, golden glow of old-fashioned street lamps.

Cinematic lighting, reminiscent of 35mm film stock, casts dramatic, high-contrast shadows on the walls, accentuating the scene's gritty, dystopian atmosphere, with subtle film grain, vignette, and post-processing effects that evoke a sense of nostalgia and cinematic grandeur,

in the style of Syd Mead, H.R. Giger, and Ash Thorp, with a dash of Blade Runner and Ghost in the Shell.