Sheโs just released a wonderful debut EP, Pivot and Scrape, which certainly demonstrates that Thatcher possesses a remarkable ability to craft dark, glittering narratives that are nothing short of mesmerizing.
The lyrics have a sharp edge because of how consonant-heavy much of the words are, wanting each one feeling like mini daggers being thrown at each other.
I wanted this song stuck in your heads. I like that there isnโt a definitive resolve, because the way Iโm feeling in the song has yet to changeโitโs ongoing.
I wanted to keep it simple and up to interpretation so every listener can take away with it however they feel and can attach it to different emotions. The lyrics for this one are a constant battle against each word; constantly contradicting oneself and, furthermore, burying its wound deeper.
The imagery and lyrics for this piece were inspired by dreams I kept having about throwing myself into glass. It felt guttural and like a strong juxtaposition with the dreaminess of the sound. Thereโs also a relentlessness to the lyrics, I feelโthe โscrapeโ meaning you pick up the glass and keep moving.
The song starts with โGod saved the world / All my troubles lessened / I chose to sleep through.โ Iโd improvised the first sentence and was on a roll from there. This bittersweet feeling of being grateful with where Iโm at in life while simultaneously feeling depressed, numb, and like I just want to sleep through each day to make it go by faster.
The second chorus feels more like a mockery of a resolve: โIโll give an eye to them / I can give to all / Iโll sell my grains to recess / Time to play and stall.โ The last two lines are purely just a fuck-you, I can do what I want.
I was inspired by the idea of redemption and the power of guilt. I find myself always using biblical and religious inspiration for lyrics. I initially had strong imagery of a man asking for forgiveness after sinning and losing all of his teeth.
The song itself felt like a lethargic and meditative hymn, to meโlike Iโm giving myself a prayer to wash away my sins. The humming at the end gives the song a strange conclusion, alluding to this endless feeling of guilt and worry stowed inside.
๏ผไผ่่ญ็่ตทไพ่ถ ๆจๅจๅ ถไธญlol๏ผ
Sheโs just released a wonderful debut EP, Pivot and Scrape, which certainly demonstrates that Thatcher possesses a remarkable ability to craft dark, glittering narratives that are nothing short of mesmerizing.
๏ผ้็้่จ้๏ผ
Sophie่ทๆผขๆฑๆผๅฅฝๅโฏ้ฝๅๅฐ็ถๆฏๅฝฑ้ฟ้ๅงๆฒๆตธ้ณๆจ็ถๅพๅญธ็ๆๆๅฐฑ้ๅง่ชๅทฑไฝๆฒๅฏซ่ฉโฏโฏ๏ผๆด่่ณๆฉๅพๅพๅจๆญๆฒ่ฃก้ข๏ผ
๏ผ้ๆฒ็ฉบ็ๅฎๆก่จชๅๆๆปๅฐ็ฒๅฐ็post๏ผ
Radiohead ๆๆปพๅฎๅฎ I knew it๐ฅน๐ฅน๐โโ๏ธ๐ซฑ๐ปโ๐ซฒ๐ผ
ๅป็ไบไนๅพไนๆ่ฆบๆด้ฒไธๆญฅ็ญ่งฃๅฅน็ไธ็๏ผไน้ไบ่ชๅทฑ็ผ็๏ผๅฅฝๆณ็ฅ้Sophieๅ ถไปๆ็ๆฏๅชไบ๐ซณ๐ป๐ซณ๐ป
self-deprecation
The lyrics have a sharp edge because of how consonant-heavy much of the words are, wanting each one feeling like mini daggers being thrown at each other.
I wanted this song stuck in your heads. I like that there isnโt a definitive resolve, because the way Iโm feeling in the song has yet to changeโitโs ongoing.
I wanted to keep it simple and up to interpretation so every listener can take away with it however they feel and can attach it to different emotions. The lyrics for this one are a constant battle against each word; constantly contradicting oneself and, furthermore, burying its wound deeper.
๐ฅน๐ฅน
title
The imagery and lyrics for this piece were inspired by dreams I kept having about throwing myself into glass. It felt guttural and like a strong juxtaposition with the dreaminess of the sound. Thereโs also a relentlessness to the lyrics, I feelโthe โscrapeโ meaning you pick up the glass and keep moving.
I was inspired by the idea of redemption and the power of guilt. I find myself always using biblical and religious inspiration for lyrics. I initially had strong imagery of a man asking for forgiveness after sinning and losing all of his teeth.
ๆฆๅฟตๅฅฝๅฅฝโฏ็ตฆๆๅ็ฌฌไธๆฌก่ฝ้้ฆ็ๆๅๅฅนไน่ชช่ฝ่ตทไพๆฏๆ้ปไปคไบบไธๅฎ็้ฃ็จฎvibe ๆ่ฆบๅพๅพๅๆ็จฎๆ็ฑๆฒ ๅจๆฐธ็ก็ก็ๅนๅไนไธญ