◐❍◑
@elisa15
Mon, May 13, 2024 9:59 PM
Fri, May 17, 2024 11:15 PM
1
Michel Chion, in conversation (Part 1)
Ways of Hearing — Radiotopia
◐❍◑
@elisa15
Mon, May 13, 2024 10:01 PM
36:00
Quality of film is the composition
Music concrete
◐❍◑
@elisa15
Mon, May 13, 2024 10:20 PM
Mon, May 13, 2024 10:21 PM
47:00
又婊德勒茲 too little observation
Based on observation
◐❍◑
@elisa15
Mon, May 13, 2024 10:30 PM
Mon, May 13, 2024 10:32 PM
56:00
Voice
- face
- body/space
Vocalceterism
◐❍◑
@elisa15
Mon, May 13, 2024 10:45 PM
The voice in cinema
Acoumosticmeter
Unmask/ mask
◐❍◑
@elisa15
Mon, May 13, 2024 10:46 PM
Fri, May 17, 2024 11:24 PM
Michel Chion, in Conversation (Part 2)
網站有transcript
The Cinematologists – The Cinematologists
◐❍◑
@elisa15
Thu, May 16, 2024 9:26 AM
Sciamma on Sound Design
◐❍◑
@elisa15
Thu, May 16, 2024 9:28 AM
Thu, May 16, 2024 9:30 AM
對michel chion來說
聲音的使用創新須在內容雨形式做出變更，可以感覺出他認為聆聽模式是單一而且只能透過形式轉換的，所以才會覺得celine的片子很conventional
其實我也不會特別去想celine的聲音設計...
兩個訪問者又提到chion的背景仍是很男凝的時代，不會去談論聲音中的權力意識....
◐❍◑
@elisa15
Fri, May 17, 2024 10:56 PM
It was called Acousmatic
music concrete的起意是去區分傳統定義的音樂元素（音階音符樂器）
到了70年代被作曲家使用acousmatic去代稱這些聲音object
有趣的是在增廣聲音的定義同時是要去限制範圍，所以提出一些特性，例如長、短、無限等....
◐❍◑
@elisa15
Fri, May 17, 2024 11:33 PM
Ep98 - The Cinematic Voice
載入新的回覆