LOVE☆STRUCK
[trolls but also about humor in media] something interesting i noticed about trolls 3 that i haven't noticed in a lot of media but I wonder if it's going to show up more in comedies. is that everyone is being Watched
LOVE☆STRUCK
I DON'T MEAN SURVEILLED
LOVE☆STRUCK
i mean like. you know when in scenes characters have "asides"
LOVE☆STRUCK
in Trolls there were a lot of moments where there were characters having asides in front of other people. And instead of being ignored by those other people, the other people are very DETAILED being shown to watch or spectate
LOVE☆STRUCK
one character tells another to be quiet so she can listen at some point, and in other scenes you just can very visibly watch the background characters listening to the conversations like it's hot goss
LOVE☆STRUCK
i thought this was funny because a lot of meida tends to rely on the tradition of the audience accepting asides are just going to be Allowed by other characters instead of acknowledged
LOVE☆STRUCK
sometimes we'll have that joke acknowledged by the "listener" character be like "I can still hear you??? I'm still here??" about certain scenes but this felt a lot more grabbing the trope by the throat to me
LOVE☆STRUCK
and i'm interested to see if this will become a trend in comedic media, the acknowledgement of the in-media audience of the characters, cos I think it's really funny
LOVE☆STRUCK
especially in media like trolls cos like idk about yall but if i saw two brightly colored mice talking in front of me i would also listen in
MindEvaporator
oh so like the shadow girls in Utena
LOVE☆STRUCK
YES ACTUALLY
LOVE☆STRUCK
but
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less meta
LOVE☆STRUCK
more just bystanders in the scene like "bruv yeah ofc we can see you"
MindEvaporator
like there was a couple times the chars in Utena responded to the chorus and it was so jarring cause like it threw off the wall you thought you had between viewer and story
MindEvaporator
so that's cool that's happening casually in cartoons
MindEvaporator
like it's almost a return to what the essence of the greek chorus in tragedies