ⲉⲙ—ᴅαsԋ
culture questions for any of my folks!
ⲉⲙ—ᴅαsԋ
today might be a meta meme day
ⲉⲙ—ᴅαsԋ
yesterday i was feelin pretty chatty about it, we'll see how it holds up
ⲉⲙ—ᴅαsԋ
as a warning, i tend to tl;dr like. real fuckin hard. like woah calm down i didn't anticipate that wall of text in my face levels, sometimes.
ᴡᴏʟғ.
14, for dean
ⲉⲙ—ᴅαsԋ
DEAN
( 14 ) AU time: pick a different culture or social class than the one your character is from. What might they have been like if they’d grown up in that place/position instead?
ⲉⲙ—ᴅαsԋ
sometimes I think about what he would've been like if he'd been raised by mary instead of john
ⲉⲙ—ᴅαsԋ
which is like, not a hugely different social structure or culture but it's significant enough that it would be huge
ⲉⲙ—ᴅαsԋ
just like. the fact that i imagine mary still would have trained them on how to defend themselves and stuff, if not outright hunting, just in case. so he'd still know, and he'd still have a little of the skill, but
ⲉⲙ—ᴅαsԋ
it wouldn't have become his personality, his primary drive, the only thing he knows how to do because otherwise he's pointless etc
ⲉⲙ—ᴅαsԋ
i think he would hate himself less, care about himself more, i think he'd be softer and more open
ⲉⲙ—ᴅαsԋ
still very himself, still protective to the core, but he'd do it in a more Bobby capacity, from a single place instead of on wheels. he'd let himself build a home and feel like he deserved it.
ⲉⲙ—ᴅαsԋ
dean without the toxic masculinity and self-loathing is a wild thing to think about and i'd love to play it one day. i did it for about 2 seconds in a hard au event in a game once, but it was all fucked up because it was hunger games setting so that skewed things a bit but
ⲉⲙ—ᴅαsԋ
it would be real fuckin interesting
ⲉⲙ—ᴅαsԋ
i think he would actually be a mechanic instead of a hunter full-time
ⲉⲙ—ᴅαsԋ
sort of like ellen with the bar, but instead, a garage.
ⲉⲙ—ᴅαsԋ
it's not a huge step, but it's going from homeless and long stints of poverty to a solid middle-class guy and that's a pretty solid shift
ꙮᐱ
gimme 9 for Jack svp. would also love to gobble up anything you want to offer on 2 and/or 3 and/or 4 if you're feeling any of those, I am greedy for your thoughts
ⲉⲙ—ᴅαsԋ
JACK
( 9 ) Does your character speak any languages other than their native tongue(s)? If so, where did they learn it/them? Do they use it regularly?
ⲉⲙ—ᴅαsԋ
other than pig latin? lol no, not with any fluency. i think he has more exposure to french than your average american, being from Louisianna, and i think he uses french phrases and knows a few words here and there like moreso than your standard guy, but he doesn't even speak it conversationally
ⲉⲙ—ᴅαsԋ
i think the area he grew up in is tiny and insular, if they offered any language classes it would be taught by some guy who didn't speak it, who was probably also the football coach
ⲉⲙ—ᴅαsԋ
and he never did actually manage to leave, so he never went anywhere any other languages were more prominent
ⲉⲙ—ᴅαsԋ
his town is very much a "you're in america, speak american" kind of ignorant
ⲉⲙ—ᴅαsԋ
JACK
( 2 ) Is your character happy with the place that they live? If not, what don’t they like about it? Are they trying to leave? Would they be able to if they did try?
ⲉⲙ—ᴅαsԋ
Jack isn't happy so much as he is... content? resigned? He's one of those classic cases of a reasonably intelligent social liberal being stuck in a small, ignorant conservative town
ĸaren
Ian - 13 & 14 🫶
ⲉⲙ—ᴅαsԋ
He knows the place, he knows the people, he knows the ways in which it is problematic and the ways in which he doesn't fit in with the norm — but that means he's also accustomed to it, and an expert in navigating it.
ⲉⲙ—ᴅαsԋ
when he was a teenager he had grand designs to leave. he intended to once, even, but the moment he tried, the moment he earnestly tried, he had the most important thing in his life taken from him and with it went the will to change
ⲉⲙ—ᴅαsԋ
also, he physically wouldn't be able to for 90% of the series. powers beyond his control would stop him. lol. but once that was taken care of, once he addressed his Sabine issues and his depression a little and the means became available, actually moving on would be his endgame and he would probably never come back
ⲉⲙ—ᴅαsԋ
JACK
( 3 ) Describe your character’s social/economic class. How do they feel towards people from other classes? Their own?
ⲉⲙ—ᴅαsԋ
deep southern poverty in conservative rural america, the bible belt
ⲉⲙ—ᴅαsԋ
he has a mild sort of like. judgment for most folks in the area with him, but he also innately understands their inner workings. but he ALSO has kind of a judgey mcjudgerson attitude toward people from higher socioeconomic backgrounds, i think he instinctively considers them entitled or like. oblivious. unaware of the "Real Struggle".
ⲉⲙ—ᴅαsԋ
like 'you're rich, you wouldn't understand'
ⲉⲙ—ᴅαsԋ
but in a very mild subconscious way
ⲉⲙ—ᴅαsԋ
JACK
( 4 ) What are your character’s political beliefs? If your character is from a fictional world, are there political parties or groups that share these beliefs?
ⲉⲙ—ᴅαsԋ
exceptionally liberal, very left-leaning. i think he'd have voted for bernie sanders if he thought his vote made a difference and could overcome the apathy enough to actually vote

(i think jack the actual irl author person probably DID vote, but jack the character wouldn't bother)
ꙮᐱ
the real, secret endgame of everything we're writing is clearly to guide him into a revolutionary class consciousness (which he will do nothing with, nothing changes)
ⲉⲙ—ᴅαsԋ
lmfao
ⲉⲙ—ᴅαsԋ
legit
ⲉⲙ—ᴅαsԋ
IAN
( 13 ) Imagine your character walks into a party, bar, or other room full of people and feels instantly at home, among their own kind, etc. What kind of people are there?
ⲉⲙ—ᴅαsԋ
honestly Ian is the sort of character that can walk into a room populated by just about any type of person and seem perfectly at ease, perfectly comfortable. He's a super duper People Person, very easy going, a total fucking hippy on the outside — that's what he projects, anyway
ⲉⲙ—ᴅαsԋ
but if he had to pick, probably a bunch of nerds and engineers all smoking a bowl.
ⲉⲙ—ᴅαsԋ
that's his ideal crowd
ⲉⲙ—ᴅαsԋ
IAN
( 14 ) AU time: pick a different culture or social class than the one your character is from. What might they have been like if they’d grown up in that place/position instead?
ⲉⲙ—ᴅαsԋ
man this is a good question so like
ⲉⲙ—ᴅαsԋ
part of the basis of Ian's character is that he grew up in poverty, that his mother had to work 2 jobs just to keep food on the table and, as such, was never at home — leading to a very latchkey upbringing where he fixated on his mom but also felt very lonely, and when he lost her, he completely stopped letting himself get attached to anyone
ⲉⲙ—ᴅαsԋ
if he grew up with enough money that his mother didn't have to work so much, that she could be more involved with his life and he could have more opportunities, i think he'd be
ⲉⲙ—ᴅαsԋ
well, less independent, he'd have spent less time filling his emptiness with reading and studying and taking things apart and putting them back together, so it's possible he'd have been a little worse off educationally speaking, he might never have gone into engineering, he might never have started working at berkeley
ꙮᐱ
I feel as though I have follow-up questions but cannot neatly articulate them at this moment so I'll spare fellow readers of this plurk
ⲉⲙ—ᴅαsԋ
but he'd have had closer friends, maybe a girlfriend or a boyfriend he eventually married, with a much less well-paying job than he eventually wound up with, and it's entirely possible he'd have been in exactly the wrong place when the ships touched down as a result, consequently fucking dying
ⲉⲙ—ᴅαsԋ
he certainly wouldn't have had the engineering know-how to keep himself and his group alive once the apocalypse hit proper
ⲉⲙ—ᴅαsԋ
i think if he grew up richer he'd have grown up happier and then wound up deader way earlier lol
ⲉⲙ—ᴅαsԋ
ꙮᐱ : IF U THINK OF THEM feel free 2 holla im here for it
ꙮᐱ
ok I do have one solid one. I can't think of a way to phrase this which doesn't sound like I'm arguing w you, which I absolutely am not, but: wtf do we think was the deal with the apocryphal french chapter then? the lost texts? the undelivered promise/threat? yes, it still haunts me
ⲉⲙ—ᴅαsԋ
lmaoooooo
ⲉⲙ—ᴅαsԋ
the french chapter was made of lies
ⲉⲙ—ᴅαsԋ
the french chapter never existed, jack's just a shitposter
ⲉⲙ—ᴅαsԋ
but if it did
ⲉⲙ—ᴅαsԋ
and it's a jack-the-character thing
ⲉⲙ—ᴅαsԋ
it would be some insane ass shit he wrote in a total fugue state, just pages and pages and pages of something he does not even understand, cannot translate, that he does not remember writing
ⲉⲙ—ᴅαsԋ
but that somehow, some ungodly way, translates into perfect fucking french
ꙮᐱ
well yeah but it's much more fun to try to place it in the framework somewhere. I also was thinking channeled text from the inexplicably francophone beyond
ⲉⲙ—ᴅαsԋ
and when translated, would probably either turn out to be one of those long-winded blog posts that come before a recipe you found online about someone's summer trip to Maine, or it would be detailed instructions on exactly how to build a bomb
ꙮᐱ
both? le blog de recettes de l'anarchiste?
ⲉⲙ—ᴅαsԋ
hahahaha
ⲉⲙ—ᴅαsԋ
yes perfect
𝐚𝐫𝐛𝐨𝐫𝐢𝐚
12 for dean and 8 for jack!
ĸaren
I knew that last question would be a good one for him!! TY for the answers. <3 I enjoy and appreciate your thoughts and passion RE Ian
𝐎𝐡, 𝐉𝐨
I have like a need that's between 1 and 3: Hear me out. I want to know how Dean navigates this basically how childhood (/that was never one) where he was raised in a car, just John, and the incredibly rare one-off other hunters & finding out there's this whole other world with a huge interconnected hunter network, AND how he navigates 1/3 from those spaces
𝐎𝐡, 𝐉𝐨
from like then forward/with people now etc
ⲉⲙ—ᴅαsԋ
DEAN
( 12 ) Your character believes something that is at odds with what the rest of their family and/or friends believe. Do they talk about it with them? If so, how do they approach the subject?
ⲉⲙ—ᴅαsԋ
So, when it comes to his family and fundamental differences, when it's not the heat of the moment Dean can be pretty diplomatic. What he'd likely do is wait until a moment of downtime, when things are settled and the person seems calm, maybe over a beer or while stripping guns or something
ⲉⲙ—ᴅαsԋ
he'd sort of tentatively, gently approach the subject, and probe around a little. ask leading questions, like hey don't you think maybe xyz
ⲉⲙ—ᴅαsԋ
...which is a great start and all, but he's also inherently a very passionate person whose opinions are tied deeply to his emotions, so it probably wouldn't take very long into the conversation for him to have a personal stake in it and for him to start getting like
ⲉⲙ—ᴅαsԋ
a little heated
ⲉⲙ—ᴅαsԋ
so what would start out with his best attempt at a gentle conversation would inevitably devolve into a heated debate
ⲉⲙ—ᴅαsԋ
and depending on the subject matter and his mental state at the time, he might either call the whole thing off and change the subject, or if it's particularly Big or Bad, he'd go full angery bitch mode and storm out lmao
ⲉⲙ—ᴅαsԋ
but There Was An Attempt
ⲉⲙ—ᴅαsԋ
JACK
( 8 ) Is your character fashionable by the standards of their culture? If not, is it a choice, lack of money, or something else?
ⲉⲙ—ᴅαsԋ
lmao he is not. fashionable. he's also not cringe-ly unfashionable, but he's very much a jeans every day, hoodies every day, graphic t-shirts, long sleeves underneath type of guy
ⲉⲙ—ᴅαsԋ
he's poor, he lives on a gas station salary — even when he owns the station it barely stays afloat financially, so he gets most of his clothes from like goodwill or walmart, with the occasional splurge on a t-shirt if he really likes it, or a good hoodie if he's really feeling it
ⲉⲙ—ᴅαsԋ
so it's partly money, but it's also partly apathy
ⲉⲙ—ᴅαsԋ
he doesn't really care, he thinks he has no reason to dress up, nobody he cares about impressing, he just doesn't give a shit so he's not really bothered by the fact that he can't afford nice things
ⲉⲙ—ᴅαsԋ
he would rather buy books
ⲉⲙ—ᴅαsԋ
ĸaren : thank YOU for caring about my dumb oc enough to ask about him <3
ⲉⲙ—ᴅαsԋ
DEAN
( 1 ) Does your character feel like they fit in with the culture they grew up in, or were they out of place? & ( 3 ) Describe your character’s social/economic class. How do they feel towards people from other classes? Their own?

but specifically about isolation and growing up in a car
ⲉⲙ—ᴅαsԋ
this is a pretty solid question
ⲉⲙ—ᴅαsԋ
so, I think that here and there sprinkled throughout the series, Dean mentions old friends of John's, old hunting buddies of John's, and while it's NOWHERE near as frequent as Jo would have experienced living in the hub that is the Roadhouse, I think it happened often enough that Dean was aware of a sort of
ⲉⲙ—ᴅαsԋ
loose social network of interconnectivity among hunters
ⲉⲙ—ᴅαsԋ
especially considering the frequency with which John will have dropped them off with Bobby for days or weeks at a time growing up
ⲉⲙ—ᴅαsԋ
he would have seen Bobby doing the Bobby thing, being the Bobby networker that he is, and he would know sort of loosely that folks keep in touch, everybody knows somebody that knows a guy, HE just didn't know them personally because his dad wasn't keen to let him be privvy to any of it until he passed on his journal and until Dean stepped up
ⲉⲙ—ᴅαsԋ
to be his own man and forge those connections himself, and more or less demand to be included in on the network
ⲉⲙ—ᴅαsԋ
I think
ⲉⲙ—ᴅαsԋ
it's less that he felt isolated or oblivious to things and more that he felt like John didn't trust him enough or didn't see him as grown up / adult enough to be part of the network and so there was this drive to prove himself and this hope that one day he would earn john's approval enough to be brought more directly into the fold
ⲉⲙ—ᴅαsԋ
instead of being left behind in hotel rooms for weeks while his dad went on a hunt with George Whomstever
ⲉⲙ—ᴅαsԋ
I think he feels like he fits in, but that John did him a disservice by deliberately icing him out in his later teen years when he could have done a better job helping Dean have connections to folks
ⲉⲙ—ᴅαsԋ
but John was never one about letting his boys form connections with outsiders
ⲉⲙ—ᴅαsԋ
largely because John was a huge dick himself and all those connections were a purely business / personal goal motivated thing with no heart and no loyalty and no sense of comraderie, John I think used folks in a way that Dean never would or did
ⲉⲙ—ᴅαsԋ
Dean would have a sense of reciprocity and community with hunters, more akin to the Roadhouse and Jo and Ellen's style, because Dean is social
ⲉⲙ—ᴅαsԋ
John is a Slytherin
ⲉⲙ—ᴅαsԋ
you know what I mean
ⲉⲙ—ᴅαsԋ
Dean is a Hufflepuff
ⲉⲙ—ᴅαsԋ
maybe John was trying to look out for his kids by minimizing the amount of contact they had with the life, but all he succeeded in doing was minimizing their contact with ANYONE, so the boys became isolated and codependent instead
𝐎𝐡, 𝐉𝐨
(DEAN IS SUCH A HUFFLE.)
ⲉⲙ—ᴅαsԋ
I will live and die on the hill that Dean is a Hufflepuff
𝐎𝐡, 𝐉𝐨
S a m e
ⲉⲙ—ᴅαsԋ
(Jo's a Gryffindor right??)
𝐎𝐡, 𝐉𝐨
She is.
𝐎𝐡, 𝐉𝐨
Died. In. The. Wool.
𝐎𝐡, 𝐉𝐨
Leap. Off. That. Cliff. Without. Looking. For. You.
ⲉⲙ—ᴅαsԋ
And yeah therein lies the difference between Dean and Jo, lmao. It's a matter of motivation.
ⲉⲙ—ᴅαsԋ
Jo hunts because she just. Wants to hunt. She wants to be brave. She always has.
𝐎𝐡, 𝐉𝐨
It is.
ⲉⲙ—ᴅαsԋ
Dean does it because of loyalty.
ⲉⲙ—ᴅαsԋ
He's loyal to people who were hunters. He's hardworking, and it's work.
ⲉⲙ—ᴅαsԋ
But yeah, I think despite what John may have intended, Dean was never quite as far removed from the network of hunters as John WANTED, but he was still more removed than what would have been good for him, so it was to his detriment. But. By his early 20s, he late-bloomed himself into the hunting community and made up for lost time.
𝐎𝐡, 𝐉𝐨
I think about these things (the above ones) a lot when I think about John being at the Roadhouse with the Harvelle's, not often, but enough they knew him, basically considered dear (Until), but the kids weren't part of that.
ĸaren
I just love reading all this.
ⲉⲙ—ᴅαsԋ
by season 3 he was better ingratiated because although he's an introvert he's also emotionally intelligent and socially savvy.
𝐎𝐡, 𝐉𝐨
It's also why I like love a) them in the Roadhouse in S2/3/etc, and b] the bunker becoming like station central after Apoc (in whatever 13? 14? something?), before of course you have to burn and bleed and kill everyone for ALONE TRAUMA ONLY BROTHERS ALLOWED.
ⲉⲙ—ᴅαsԋ
John would have done better by his kids to bring them into the Roadhouse too and let them actually meet people in their own demographic, let them actually socially interact with folks who understood what it was like to be hunter kids
ⲉⲙ—ᴅαsԋ
instead of letting them grow up thinking they're the only two hunter kids on the planet for most of their upbringing
ⲉⲙ—ᴅαsԋ
and not having anyone but themselves to relate to about it
ⲉⲙ—ᴅαsԋ
John really did foster their codependency this way
𝐎𝐡, 𝐉𝐨
He did.
ⲉⲙ—ᴅαsԋ
ĸaren : WEH im glad
𝐎𝐡, 𝐉𝐨
And the utter reliance of his kids only himself or each other (and Bobby when he was there, or left in charge of them, while John ran off into the wind plusboyshome)
𝐎𝐡, 𝐉𝐨
Dean the mechanic.

Dean dreaming of running a hunter bar.

Dean would have fit into this lock-and-key way so much.
ⲉⲙ—ᴅαsԋ
yes
ⲉⲙ—ᴅαsԋ
yes he would have
ⲉⲙ—ᴅαsԋ
au where john does bring them around to ellen as much as bobby growing up
ⲉⲙ—ᴅαsԋ
dean growing up fixing people's cars at the Roadhouse
ⲉⲙ—ᴅαsԋ
with jo as his best friend
𝐚𝐫𝐛𝐨𝐫𝐢𝐚
TY i enjoyed reading these, 12 felt especially good for dean since we just got to see him being supportive in the last group watch episodes
ⲉⲙ—ᴅαsԋ
yessss im so glad
ⲉⲙ—ᴅαsԋ
ty for asking im pleased u got to see my boy doing his best
ᴡᴏʟғ.
dean livin his best mechanic life while having that backseat knowledge of hunting is just such a good option for him
ⲉⲙ—ᴅαsԋ
it would have been so much healthier while still being practical
𝐎𝐡, 𝐉𝐨
Please please please give me it.
𝐎𝐡, 𝐉𝐨
Can be written slowest ever. But I have a need.
𝐎𝐡, 𝐉𝐨
If this world is the happy, healthy world, Em.

Em, does that mean Bill’s still alive too.
And the goddamn spotlight of her soul.

Because Ellen, and Bill, and John, and her family is absolutely the example of how this can work all across.
ⲉⲙ—ᴅαsԋ
if John died instead of Mary, he wouldn't have been around to get Bill killed
ⲉⲙ—ᴅαsԋ
10/10
𝐎𝐡, 𝐉𝐨
Not gonna lie. Can't focus. Last ten minutes of last class. I'm drumming my fingers here, deciding if I want to drop a texty starter on you. From all this. Like right now.
ⲉⲙ—ᴅαsԋ
u say that like u haven't already decided
𝐎𝐡, 𝐉𝐨
𝐎𝐡, 𝐉𝐨
ⲉⲙ—ᴅαsԋ
u angling for teens, s1-3 aged, or later canon aged?
𝐎𝐡, 𝐉𝐨
The problem is I want EVERYTHING across this timeline already. (I want when it's all happening already; which is absolutely going to end up being a starter at some point far too soon, nt srry you stole my head.)

But younger for that one, maybe? Depending on when you think the plan would have come up as like "THIS IS WHAT WILL BE IT, Now I share it"
𝐎𝐡, 𝐉𝐨
A or B, but maybe more B? But also, I can manage all. We can also futz with the gap for convenience depending etc etc etc if you need, as I don't really care given it's not egregious to me.
ⲉⲙ—ᴅαsԋ
just needed to know which journal to bust out lol
𝖆𝖛𝖊 𝖏𝖊𝖗𝖗𝖎𝖆
dean 10, 13
1/10 Spookies
5, 10, 14 for Conner please
1/10 Spookies
also 5 and 14 for Bucky pls and thank
ⲉⲙ—ᴅαsԋ
TWO DAYS LATER
ⲉⲙ—ᴅαsԋ
DEAN
( 10 ) Does your character act differently around strangers than they do around friends? Do they act differently around people from their native country or hometown than they do around people from elsewhere? If so, how dramatic is the difference?
ⲉⲙ—ᴅαsԋ
Yes, dean acts differently around strangers — he puts on his Charming Extrovert face, he summons up all of his charisma and pretty effectively pretends to be Joe Midwesterner or Joe Southerner depending on where he's at in the moment
ⲉⲙ—ᴅαsԋ
he's a social chameleon when he needs to be, and he's good at it, but it drains his batteries a little because deep down he's an introvert who likes spending time with like. 4 specific people.
ⲉⲙ—ᴅαsԋ
his nerdy goober side comes out around those folks in a way it doesn't around everyone else
ⲉⲙ—ᴅαsԋ
DEAN
( 13 ) Imagine your character walks into a party, bar, or other room full of people and feels instantly at home, among their own kind, etc. What kind of people are there?
ⲉⲙ—ᴅαsԋ
the bar is the Roadhouse and it's full of family, or it's the Horizon Roadhouse in abraxas.
ⲉⲙ—ᴅαsԋ
that's it
ⲉⲙ—ᴅαsԋ
CONNER
( 5 ) Is your character religious? If so, do they follow the (or one of the) major religion(s) of their culture, or a different one? If not, are they more of an atheist, agnostic, or spiritualist (or none of the above)?
ⲉⲙ—ᴅαsԋ
Conner is not religious. His mother may have loosely been Catholic before she met his father, but any semblance of that was well and truly gone by the time Conner was old enough to understand such things
ⲉⲙ—ᴅαsԋ
Conner's father was an abusive raging alcoholic, God was not anywhere close to his mind, and it's certainly nothing he bothered to teach his son about
ⲉⲙ—ᴅαsԋ
he views it as kind of like
ⲉⲙ—ᴅαsԋ
weird, quirky superstition
ⲉⲙ—ᴅαsԋ
like folks in his gang who would wear a cross and pray to god before they went out and did crime would sort of amuse him like 'hey put in a good word for me while you're at it lol'
ⲉⲙ—ᴅαsԋ
god never did anything for him, nor any of the people who got ruined by LAND, so he doesn't believe in it
ⲉⲙ—ᴅαsԋ
CONNER
( 10 ) Does your character act differently around strangers than they do around friends? Do they act differently around people from their native country or hometown than they do around people from elsewhere? If so, how dramatic is the difference?
ⲉⲙ—ᴅαsԋ
Yeah, around strangers Conner is generally quiet, reserved, and assessing. He likes to watch people to get a sense of who they are, and tends to stay in his own corner in group dynamics until he understands who he's around
ⲉⲙ—ᴅαsԋ
he doesn't associate with his family or with the gangs he ran with in his youth, and at this point if he ran into them he'd be more inclined to treat them standoffishly or with mild hostility than embrace them
ⲉⲙ—ᴅαsԋ
he carries some disdain for the type of person he was, and by extension, other folks like who he'd been
ⲉⲙ—ᴅαsԋ
CONNER
( 14 ) AU time: pick a different culture or social class than the one your character is from. What might they have been like if they’d grown up in that place/position instead?
ⲉⲙ—ᴅαsԋ
If he'd have grown up with loving parents or been adopted into a better home environment as a teenager (like by blue's bother), conner would have been a good boy
ⲉⲙ—ᴅαsԋ
he'd have had good values and work ethic, because conner... as a teenager, his morality bent to compromise for his loyalty
ⲉⲙ—ᴅαsԋ
what he was looking for was a family, what he found was a gang. the things he was doing for them didn't matter so long as they accepted him and he could let himself believe they cared about him
ⲉⲙ—ᴅαsԋ
he would have become whoever he'd been around at the time
ⲉⲙ—ᴅαsԋ
if he'd have grown up with a good influence he could have easily been one of those traditional Good Guy Protagonists
ⲉⲙ—ᴅαsԋ
1/10 Spookies thank u always for asking about my son
ⲉⲙ—ᴅαsԋ
BUCKY
( 5 ) Is your character religious? If so, do they follow the (or one of the) major religion(s) of their culture, or a different one? If not, are they more of an atheist, agnostic, or spiritualist (or none of the above)?
ⲉⲙ—ᴅαsԋ
bucky is not religious, and is actually more likely to be openly disparaging of religion. his father being a devout and oppressive catholic that made him attend mass every sunday as a youth really tainted the experience for him
ⲉⲙ—ᴅαsԋ
basically, like. if there IS a god that let him suffer through what he went through and let all those innocent people die by his hand? screw god.
ⲉⲙ—ᴅαsԋ
that's his opinion
ⲉⲙ—ᴅαsԋ
BUCKY
( 14 ) AU time: pick a different culture or social class than the one your character is from. What might they have been like if they’d grown up in that place/position instead?
ⲉⲙ—ᴅαsԋ
I think
ⲉⲙ—ᴅαsԋ
growing up in the shitty era he did with Steve really helped influence his morals in a positive way, like having Steve there to challenge the societal norms at the time helped him build a foundation better than he could have managed had he grown up without the guy
ⲉⲙ—ᴅαsԋ
but
ⲉⲙ—ᴅαsԋ
i also think he gives Steve credit for conclusions that he may have come to on his own, like he says his moral compass is 'what would steve rogers do', as though he needs that external influence, like he wouldn't be able to tell what the Right Thing would be on his own, when in reality
ⲉⲙ—ᴅαsԋ
he's kind of answering that question himself every time he asks, if that makes sense
ⲉⲙ—ᴅαsԋ
so i think if you take him out of the 20s-40s and put him in like. 1990-2020 the only big difference is he'd be more pop culture savvy, he'd just have somebody else to attribute to his 'what would x do' question, like sam wilson
ⲉⲙ—ᴅαsԋ
bucky doesn't change much
ⲉⲙ—ᴅαsԋ
he's stable-y unstable lmao
ⲉⲙ—ᴅαsԋ
like for example in our d/s au
ⲉⲙ—ᴅαsԋ
which is very modern and bucky's got like a six or seven figure salary, he's still
ⲉⲙ—ᴅαsԋ
bucky
ⲉⲙ—ᴅαsԋ
he can just afford to take care of his family better
載入新的回覆