when we set up the universe, Then we need the tension to grab the audience's curiosity. (Terminology is like the thing we put in the material so we lose the sense to see and feel the material.)
so the situation for the protagonist is usually in the crisis or somepoint they must change. However, the problem is the force is not convincedly enough to push them chang. Solution - 1. Tell one thing at a time .2 Holdback the information 3.use the energy of that information to its MAXIMUM.
And then come with the next thing. Too many film tell too much thing at the same time. we are not using the power of each information, so the audience don't feel there is a change
But the whole sequence is dragging the audience into the wonder, to take part of the storytelling. The first 3 images don't make sense to each other until TV with Adi. The look of silence is made after The act of killing which is controversial that choose to tell the story of perpetrators and the killers
Because normally storytelling have the good and the bad, and the audience should know what is good. But The act of killing took out the good/victim, which make the film become a very inaudible film. not deal with the sentimentality of the good but want to understand something of the evils
People who watched The Act of Killing which is extremely violent, shouting to the audience. How to make the sequel for the film went through the roof. So it goes to the opposite direction. And the scene often been inaudible beczue of the fear they were silienced
- Holding back and build up the tension : The singing man in TV > The people split it like they are watching a horror film. - The tension up Until : the kid saying glasses > we change Then Adi ask fatehr to sing "Oh you so sexy" ( The child had change us emotionally accept the turn in emotion.
Iikka Vehkalahti: Mozart made mistakes by purpose in composing becuz he want to make the holes for the audience to go in. Umberto Eco has a book about that.(41:18)
1.The emotion is usually considered as the opposite of intelligent. 2.The word of overtelling and undrtelling is too simple, I use curiosity - if you use the curiosity then you kill the field = overtelling / undertelling is confusion that know too less or LOST.
it is not for delivery the information, it more like a melodic part. Film is more close to music, like music curve. Build up - change - go down. The problem is name the every part and construct them in informative way. BUT What is the emotion feel of this scene
in the editing of The look of silence, the opening come out when we just play and try anything without purpose. (but we already know the backbone of the film) How are we giving these confrontation show another dimension of humanity of willing forgetting or giving or accepting The father is more and more demanted genocide
we don't like chaos, want to understand the world, which full of coincidence.
First story:Creztionist
1. inaudible story
2.emotional medium - film
Plot-oriented or Arty - with all kind of information, why we are where we are should be crystal clear
But the goal is what is happening in the audience's head.
The ordinary - change come - story. (Rich background but wrong starting point after change)
Character driven film - the protagonist need to change - in real life, we don't change without the force.
However, the problem is the force is not convincedly enough to push them chang.
Solution - 1. Tell one thing at a time .2 Holdback the information 3.use the energy of that information to its MAXIMUM.
Too many film tell too much thing at the same time. we are not using the power of each information, so the audience don't feel there is a change
The first 3 images don't make sense to each other until TV with Adi. The look of silence is made after The act of killing which is controversial that choose to tell the story of perpetrators and the killers
And the scene often been inaudible beczue of the fear they were silienced
The singing man in TV > The people split it like they are watching a horror film.
- The tension up Until : the kid saying glasses > we change
Then Adi ask fatehr to sing "Oh you so sexy" ( The child had change us emotionally accept the turn in emotion.
Mozart made mistakes by purpose in composing becuz he want to make the holes for the audience to go in. Umberto Eco has a book about that.(41:18)
2.The word of overtelling and undrtelling is too simple, I use curiosity - if you use the curiosity then you kill the field = overtelling / undertelling is confusion that know too less or LOST.
Film is more close to music, like music curve.
Build up - change - go down.
The problem is name the every part and construct them in informative way. BUT What is the emotion feel of this scene
2.How you handle the huge amount of the material and start
How are we giving these confrontation show another dimension of humanity of willing forgetting or giving or accepting
The father is more and more demanted
genocide